top of page

I work with oil paint on canvas. By choosing to dilute the paint I sense the liminal nature of water in the medium. Images come from
a process of memory reconsolidation, or a continual reframing of imagined, invented and repurposed narratives from the endless summer of my imagination. Laps swims, scuba excursions and family time at our beloved cottage on Rabbit Lake fuel the desire to journal these experiences.

 

Hemingway’s novel ‘Islands in the Stream’, Picasso’s painting ‘Three Bathers’, and a scene from John Cassavetes film ‘Tempest’ have been imprinted on my memory as somehow I knew they would one day illuminate my future work as a painter of liquid landscapes. 

ELIZABETH LENNIE

We were all so young. We were still our best selves.” Ann Patchett, The Dutch House
I noted this many years ago as I was working on an early collection of lake paintings.
When my daughters were young they spent many summers at Camp Wabikon on Lake Temagami in the heart of Ontario’s wilderness. They would come home refreshed and recovered from the stress of the school year, full of stories and adventures and a slew of new friends after their time in the forest and on the lake. I call it The Nature Cure.
I believe they grew into a renewed understanding of themselves and their place amongst the interconnectedness of all living things while they were living in a cabin, swimming in the early morning water and canoe-tripping the lake.
Those images and the feelings of that time have been the engine of my practice as a way to keep the idea of the summer alive in my imagination.

Current availble work

MUSE GALLERY  1230 Yonge Street  Toronto  Ontario  Canada 
M4T 1W3,  416 974 9986  contact@musegallery.ca

Copyright @ 2026 Muse Gallery

bottom of page