The ideas for my paintings emerge as emotions. My task is to turn those emotions into images. I do this by playing on the viewer’s empathy, sympathy, curiosity and sense of humour. My paintings are figurative, presenting people in varying degrees of self-awareness. I am interested in how people behave alone as well as how they present themselves to others when they want to make a specific impression. These are the two main contexts I have used in exploring this; presenting people in moments of isolation, and presenting them in performance.
Ultimately, the figures are the metaphors for psychological states. Their body language conveys feelings of discomfort and vulnerability, anticipation and trepidation, solitude and melancholy. I seek out the right actors to portray these themes. In this way my work is collaborative. I rely on other people to express my ideas. In the end, however, it is my emotions that I want to convey through them.
My use of paint is at once loose and precise so as to be visually satisfying without intruding upon the image. The medium and surface work to convey a sense that what is on display is frozen insignificance. The element of craft implies authorship but the lack of stylization suggests they are neutral documents. As the artist, my role is to step back to let the painting take the stage and let the viewer have the experience.
Jane Fisher has shown work in public since 1984 and has exhibited her works throughout the United States. Jane Fisher received her BFA from Ohio University and received a Master of Fine Arts degree from The Art Institute of Chicago. She paints ordinary, identifiable people in familiar settings - individuals rather than ideals – and familiar though not necessarily family, with subject matter ranging from divers in mid-air to models at an auto expo. - Adam Beck, askART
Press Release for Big Heads, Bigger Women:
This new body of work confirms Jane Fisher’s command of subject and palette as presented from her insightful perspective. She paints ordinary, identifiable people in familiar settings – individuals rather than ideals - and familiar though not necessarily family. The people in this series are divers - in motion in mid-air or static on the board, and in, or above, the water. - SF Station